IZotope Dialogue Match is another plugin, in the Post Production Suite 4, which delivers audio magic.

CrumblePop – AudioDenoise and EchoRemover.

LoudMax – brickwall limiter by Thomas Mundt (free).

iZotope RX – Lots of repeat recommendations for these, including RX Connect within Media Composer.

I’ve compiled the answers from that thread, thanks to all who contributed, into this list as a jumping off point for further investigation at your leisure.Īdobe Audition: fft filter in audition is great for removing plosives and rumbling below a set frequency across the entire clip. What are your workhorse audio plugins that you use on pretty much every job or are perfect for solving common audio problems with little effort?- Jonny Elwyn March 5, 2019Ī while ago now I posted this tweet and got some really helpful replies from other editors who tweet, including the hugely talented Joe Walker, Dune, Arrival, Blade Runner 2049, Sicario etc. Popular Audio Plugins for Film and TV Post Production In this post however I’ll try to keep things focused on the task at hand – audio plugins, native tools and other simple and effective ways to create better sounding edits.Īs far as I’m aware the two main players in the audio plugin world are iZotope and Waves, although I’m sure the deeper you go, the more niche products you’ll find.

Sound Design Resources and Inspiration for Film Editors.

Three Simple Tips to Improve your Audio.Film Editing Pro: Secrets of Creative Editing Review.

If you’re after even more resources on the topic of sound design in film editing rummage through the entire sound design category here and then check out this previous post, Better Editing Through Sound Design, which covers: Some people advocate for a T shaped skill base breadth in multiple areas, depth in one.Īnyway, I hope I can draw together even more useful audio resources in the future!

If you have the client budget to afford to hire a fellow professional to apply their talents to these areas, then obviously that’s a win for everyone!īut if you don’t then you still owe it to your clients to deliver in all these areas to the best of your abilities, and you owe it to your career to develop your abilities in as many areas as you can. It would be foolish to think that purchasing a few plugins, LUTs or templates will be able to replace someone else’s expertise.

Improving my abilities with motion graphics and essential After Effects tasks was one of the reasons I started an on-going series of articles on After Effects for Film Editors – so I hope that helps out the 27% of you who also worry about it – but it was interesting to see that the biggest source of concern was how to fix difficult audio.Īs a quick aside, it’s worth observing that three out of four of these tasks can be someone else’s professional role colorist, motion graphics artist, sound editor/mixer.

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